Is a curator, researcher and writer based in London.

He has written for publications including Frieze, The Art Newspaper, Apollo and Hyperallergic and been involved in organising exhibitions for Somerset House, 1-54 Contemporary African Art Fair, Lewisham Arthouse and other venues.

You can find some of his recent writing below:

Julia Adelgren, Hesperus (exhibition text for Anna Bohman Gallery, October 2024)
In Search of Thomas Kinkade (feature for Plaster, October 2024)
Is Moco Museum Serving Up ‘Fast-Food Art’ for the Instagram Era? (opinion for Frieze, September 2024)
Pennungal: Lives of women and girls, Sosa Joseph at David Zwirner (review for émergent, September 2024)
Are commercial galleries getting tired of visitors? (opinion for Apollo, August 2024)
In London, a fair without dealers where artists pocket the whole profit (report for The Art Newspaper, May 2024)
Nicole Wermers Takes Us to The Cleaners (review for Frieze, March 2024)
What Kaye Donachie Kept for Herself (profile for Elephant, March 2024)
Human First, Artist Second: Lee Lozano at La Bourse de Commerce (review for émergent, December 2023)
Symbols, Stand-ins and Euphemisms: The Impossibility of Whole Truths (essay for Curatorial Affairs, December 2023)
An Art Dealer's (Outsider) View of New York (diary for Drake’s, June 2023)
Andrew North (interview for Young Artists in Conversation, March 2023)
Should We Be Uncomfortable With Furniture in Art Galleries? (opinion for Hyperallergic, September 2022)

He also writes Where It’s At, a monthly travel column for Elephant. So far, he’s covered Marseille, Athens and Dallas.

You can contact him on phineasjennings [at] gmail [dot] com, or find him on Instagram here.